George Takei

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Millennial London

January, 2001

January, 2001, LOS ANGELES - The 20th century is now history and we begin a new century and a bright new millennium. What this millennial turn might portend is both tantalizing, and, at the same time, just a bit daunting. The last century gave us astronauts on the moon as well as the atomic bomb; the reading of the human genome and the Holocaust; the darkest of evils and some of the most magnificent advances to come from the human mind. If history is any guide, the years ahead will likely move us forward with even more dazzling new advances wrought from the genius of our minds, as we at the same time struggle to avert another plunge into some horrific new depravity. I am an optimist hopeful that wisdom would prevail over our darker aspects but mindful of the infinite range of the human animal. We have the capacity for nobility and depravity as well as vacillation. The United States now has a new President who lost the popular vote and was appointed by a partisan U.S. Supreme Court. We begin the millennium on an ambiguous but nevertheless hopeful note.

I finished the last month of the last year with my traditional shopping trek to London. I love London. I love its theaters. I love its museums. I love its people. I love its ever-changing, ever-unchanging appeal.

"Cats" is still playing in London as New York brought the final curtain down on the record-breaking run of its Broadway version. Of course, the eternal "The Mousetrap" is still playing. Theater in London is eternal. They do great American plays as masterfully as they do Shakespeare. I saw a moving production of Eugene O'Neill's masterpiece, "Long Days Journey Into Night," with a deeply affecting performance by Jessica Lange. I saw Andrew Lloyd Webber's newest musical, "The Beautiful Game," a heartbreaking tale of the conflict in Northern Ireland that had some resonance of "West Side Story." My biggest theatrical disappointment was a much-lauded production of Stephen Sondheim's "Merrily We Roll Along." After fighting a rainstorm to get to the theater, we were told that the performance was cancelled because of an illness in the cast. They had no understudy. Our disappointment continued into the night with the restaurant that we decided on in lieu of the play. Service was poor, the food mediocre and the bill preposterous. I guess some evenings just are not meant to be.

Cultural London is wonderfully transforming itself without physically altering the urban landscape. Some of the most exciting new cultural institutions are in adaptively reused buildings or restoration of great classic structures.

The stunning Tate Modern, the new museum on the south bank of the Thames, is in a former powerhouse. The monstrous industrial space has been masterfully reshaped into a series of wonderful galleries. However, great works of modern art somehow seem to get upstaged by windows in some of the galleries that offer spectacular views of St. Paul's Cathedral across the river. Even Andy Warhol couldn't compete with that splendid city vista. And I recommend the top floor restaurant for a champagne lunch with a fabulous view.

I hadn't been to The British Museum in more than a decade. I'd read that a wonderful new improvement had been made there. The Great Court of The British Museum had been carved out of the clutter of ancillary buildings built over the years around the old British Library in the courtyard of the museum. We rushed to view this new addition to the London cultural scene two days after Queen Elizabeth II had inaugurated the space. Touted as the largest covered public space in Europe, I found it a bright, spacious and elegant expansion of a London treasure. The terrace restaurant there hadn't opened yet, so I will have to return there again soon.

The Royal Opera House in Covent Garden is legendary. In addition to its own storied history, George Bernard Shaw contributed to its fame by placing the opening scene of his play "Pygmalion" right in front of the Covent Garden Opera House, as does the play's musical version, "My Fair Lady." The opera house and the floral hall next to it had been under renovation for the past few years and had reopened in 1999 to great critical applause. The demand for tickets was so hot that I couldn't get in back then. This visit, I was determined and managed to get a pair of tickets for the ballet "Ondine." The performance was superb but the opera house itself was absolutely breathtaking. It was opera-going in the classic European tradition. Gilded tiers piled upon glittering tiers filled with elegantly dressed theatergoers. The new Covent Garden Opera House shone with a brilliance that only sensitive restoration combined with modern technology could produce. And the incorporation of the crystalline Floral Hall as an addition to the lobby with stylish new restaurants was great. Service efficient, food delightful, and prices varied.

The most controversial cultural addition to the London landscape was also its newest and most temporary -- the Millennium Dome. Looking like a giant desert tent or some extraterrestrial construction site on the Meridian Line at Greenwich, the Dome was a vast exposition hall with exhibits on the challenges and opportunities in the new millennium. Divided into 14 zones of diverse human activities such as work, play, learning, money and journey, it was much too much to experience in a day. We did the journey through a gigantic human body, walked through one million pounds in British sterling and went through the exhibit on future modes of travel. I should have been prepared for the inevitable -- floating luminously above us in the travel zone was a model of the Starship Enterprise. But, like Cinderella's coach, the Millennium Dome disappeared on December 31, 2000. A good number of British people felt that this attraction was much too much money spent for much too little. However, the Millennium Dome, with its subway line extension, the regeneration of the area and the Millennium Village, leaves a fine legacy of infrastructure for the future development of a formerly underused area. I thought it a good investment.

One millennium project that will remain on the London landscape is the giant Ferris wheel dubbed the Millennium Eye built on the south bank of the Thames across from Big Ben. On a clear, cold, blustery day, we headed out for a bird's eye view of London from the wheel. Alas, the day may have been bright and sunny but the strong wind made a ride on the delicately balanced attraction too chancy. They cancelled operation of the Ferris wheel. We now have another good reason to return to London.

The one inevitable joy on any of my travels is a gathering with Star Trek fans. Jackie Edwards, a former fan club president, had moved to Essex and had been urging me to visit that part of England. It was the driest part of England, she had told me. So, this being England, I had to travel through a driving rainstorm to reach Norwich in Norfolk. Hosted by Richard Stubbings, owner of a fantastical store called Kulture Shock, I spent a day as lively as it was wet with fans that have become good friends.

The millennium is off to a happy start. Let's all work to keep it that way.

July, 2003, LOS ANGELES - As the lyrics of the Rogers and Hammerstein song from "Carousel" rejoice, "June is busting out all over. All over the meadows and the hills." For me, June burst out all over America from the islands of Hawaii to the towers of Chicago to the green rolling hills of Tulsa, Oklahoma, with a day on the tiny island nation of the Republic of Kiribati thrown in for good measure.

June began with a Star Trek convention in Honolulu followed by a floating version of that convention known as a Star Trek cruise around the islands of Hawaii. It was grand sailing from one paradisiacal isle to another with fans - many who have become friends over the years. I'd been to most of the islands of Hawaii many times before. I'd hiked down into the spectacularly sere crater of the extinct volcano, Haleakala, on Maui. I'd marveled at the unearthly sight of the steaming moonscape of Volcano National Park on the big island of Hawaii. I was awed by the beauty of the undersea life as I snorkled in the crystalline waters of Hanauma Bay on the main island of Oahu. But, this was my very first visit to the fabled island of Kauai. As the ship sailed into the port of Nawiliwili, the lush tropical foliage seemed to cascade down the mountainside and over the cliffs like a verdant lava flow. I wanted to explore this island as much as I could within the limit of the day we had in port. I scheduled a boat ride up the Wailua River to the fabled Fern Grotto as well as a helicopter tour over the lush green majesty of this island known as the "Garden Isle."

We sailed up the slow flowing waters of the Wailua River in a thatched flat bottom boat with Hawaiian musicians serenading us on board with the lilting melodies of the islands. The jungle overflowed the riverbank and seemed to be testing the waters with their green tendrils dipping into the river. This, we were told, is the favorite island of Hollywood film makers. Movies from "South Pacific," "Donavan's Reef" with John Wayne, "Blue Hawaii" with Elvis Presley and the recent "Tears of the Sun" with Bruce Willis to television series such as "Fantasy Island," "Hawaii 5-0" and "Magnum P.I." have been filmed on Kauai.

On reaching the headwaters of the Wailua, we disembarked for a brief hike to the Fern Grotto, an almost cathedral-like shallow cave abundant with lacy ferns. The musicians from the boat, who trekked up with us, sang the "Hawaiian Wedding Song." It was so romantic. We could easily understand why so many couples choose to get married in this dream-like setting. We cruised lazily back down the Wailua, now eagerly looking forward to our afternoon helicopter ride over this magnificent island.

Kauai is singular. It has the wettest spot in the world, Mount Wai'ale'ale. And, weather here can change on a dime. What had been a beautifully sunny morning suddenly turned into dark churning clouds in the afternoon. As if maliciously on cue, when the 2 o'clock take off time of our helicopter tour came, it started to rain. Prudently, the tour operators cancelled our flight and my anticipation of a bird's eye tour of Kauai was washed out. As a consolation, we did the only other activity available. We took the port shuttle and spent a rainy afternoon at the local K mart. There was a price to be paid for the lush tropical beauty of this island - drenched frustration. At least I was able to stock up on Macadamia nuts from K mart. I salved my disappointment with plans for a return visit to Kauai.

The visit to the Republic of Kiribati was a legal mandate that our Norwegian registered cruise ship had to fulfill. As a foreign registered ship departing from a U.S. port, it was required that it stop at, at least, one foreign port before it came back into the port of Honolulu. Kiribati, a speck of a coral atoll in the Pacific, was that required foreign stop. A short tender trip and a quick hike around a blisteringly hot atoll was enough for me. I quickly retreated to the air-conditioned comforts of the cruise ship.

A meeting of the Board of Trustees of the Japanese American National Museum took me to the great city of Chicago later in the month. Our Museum is not only building a growing base of support in the Chicago area, but also preparing a major exhibit on the resettlement of Japanese Americans in the Midwest after their internment during World War II. This was an opportunity for the trustees to meet and talk with the people of Chicago about that history and to thank the supporters of the Museum. Of course, for a passionate lover of architecture like me, visiting Chicago is always a joy. Just walking around this city that gave birth to the skyscraper and continues to innovate with high-rise buildings is an inspiration. I even managed to squeeze in an evening of theater in a Chicago landmark, the Looking Glass Theater. The play was based on Studs Turkel's book, "Race," adapted and directed by David Schwimmer from the television series, "Friends." It was a powerful play that received a prolonged standing ovation on the night that I saw it. The "bravo, bravo, bravos" still echo in my ears.

From Chicago, I flew directly to Tulsa, Oklahoma, for another Star Trek convention. This one however, was different. It was in Oklahoma. To me, a convention in Oklahoma always brings back poignant memories. I had a convention scheduled in Oklahoma City on the weekend after Gene Roddenberry, the creator of Star Trek, passed in October of 1991. It was the year of the 25th anniversary of his, now legendary, creation. Gene was a dear friend as well as my producer. The pain, the sense of loss, was agonizing. I had seriously considered canceling my appearance. However, the organizer persuaded me to think of the fans there that were also grieving Gene's death. I decided to go with the plan to make the convention a memorial to Gene Roddenberry. But, even in death, so typical of Gene, his idealism prevailed over our grief. In sharing our memories of him - mine personal, theirs through inspiration - our recollections turned the event into a celebration of his life and ideals. I will always remember that gathering in Oklahoma as one of the most moving conventions that I was ever a part of. I shared that memory with the fans gathered in Tulsa this hot June afternoon. Some had been at that convention more than a decade ago but most had not. Indeed, a good number were first timers. We were, however, still together, brought there that weekend by the undying power of Star Trek, Gene's optimistic vision of our common destiny. His ideals and vision, as the Vulcan greeting goes, "live long and prosper."

June, 2003, LOS ANGELES - In celebrating the diversity of America, the United States government recognizes the heritage of each group of ethnic Americans virtually every month of the year. May has been designated Asian Pacific American Heritage Month, and, in observation of it, I was invited by the U.S. Department of Defense to tour seven military bases in Germany.

Asian Pacific American heritage is a topic that I have spoken on before but I sensed that the Star Trek magnet had something to do with the invitation as well. I accepted the invitation with relish.

Last month, the war in Iraq was an issue that had many in our nation -- and the world -- at odds with each other. But, whether hawk or dove or an owl somewhere in between, I think many of us felt a strong connection with the U.S. and British soldiers on the battlefield. They were our friends and neighbors out there in Iraq. Their courage and sacrifice, their professionalism and technological effectiveness, were amazing. I swelled with pride as I saw the brutal dictatorship of Saddam Hussein brought down by our combat forces.

As I watched the news on television, I saw something else. I saw an American military that I had not seen before. I saw both men and women of all races as soldiers, and, distressingly, as prisoners of war and as casualties. I saw a U.S. military that truly reflected the vast diversity of American society today. I wanted to visit the military communities in Germany to thank our soldiers for a job well done and their families for their sacrifices. I also wanted to applaud the U.S. Army for its progressive diversity program. This rare opportunity was something like a non-singing, non-dancing, all-talking Bob Hope tour of our military communities in Germany. In addition, as it turned out, the tour included convivial gatherings with groups of Star Trek friends as well.

It was a whirlwind tour. Two nights in Bamberg, a couple of nights in Ansbach, then on to Hohenfels, a night in Heidelberg, then two in Darmstadt, a weekend in Mannheim, then on to Wurzburg. It was constant packing and unpacking, meeting the brass and signing autographs for the soldiers, traveling from one base to another with my speech, "A Salute to Liberty" on Asian Pacific American heritage, at each base as the centerpiece. I collected plaques, beer steins, commemorative coins, and other gifts after each speech. The welcome was tremendous. The tour was exhilarating and enlightening. I saw and experienced so much. A tour of the Combat Maneuver Training Center at Hohenfels, with cutting edge technology combined with a Hollywood back-lot style recreation of a Slavic village complete with Slavic-speaking villagers more believable than any Hollywood extra, was most impressive. At Ansbach, I sat in an Apache helicopter wearing a high tech helmet equipped with night vision targeting lens. I visited storybook villages with cobble-stoned streets that were hundreds of years old. I toured regal palaces. The Residence, the palatial home of the Bishop prince of Wurzburg, was gloriously restored after the devastating bombing it suffered during World War II.

The formal garden at the palace of Swartzengen was almost as spectacular as the one at Versailles. In a magnificent sarcophagus on the altar of the Cathedral of Bamberg are the remains of the only Pope outside of the Vatican. In Bamberg, I discovered a great beer unique to that town called routbier that has a rich, dusky tang like smoke. It has to be tasted to be appreciated. The tour was memorable, made even more unforgettable by a vegetable called spargel -- a rare, seasonal white asparagus. I happened to be there at the height of spargel season. As an honored guest of constantly changing hosts, this prized delicacy was served to me at almost every dinner at each stop. As a good guest, I enjoyed the spargel until it almost grew out of my ears. The welcome was generous and warmly embracing. Glowing memories of my tour of Germany will be with me forever. My heartiest appreciations to all of the good people at each of the military communities I visited for their grand hospitality. And a special note of thanks to Sharon Yelder of the U.S. Department of Defense in Germany. She is the indefatigable problem-solver who initiated the idea of my visit and coordinated the entire trip with grace and skill.

Wherever I go, there are communities of Star Trek friends as well. I had visited Mannheim less than six months ago for a Star Trek convention but there we were together again - organized by dear Sylvia Strybuc.

This was another wonderful opportunity to enjoy a convivial Saturday evening with old friends and new fans. Roger Hofstetter and friends even drove in from Basel, Switzerland, to join us. It was wonderful.

At the end of my military tour, I gave myself a few days in Munich. Filip Krejcik, a friend who lives not far from Munich, picked me up for a visit to his village, Deggendorf. He had even arranged for a guide from the city tourist bureau. Deggendorf is a charming, formerly walled village with an historic Rathaus or city hall. We climbed the ancient stone steps of the Rathaus spire to its very top. We saw the quarters of the keeper of the spire who rang the old city bell. The view from his window was panoramic.

From the medieval spire of the Rathaus, we strolled through the village down to the primordial flow of the great river of Europe, the Danube. A lone sculler was practicing on the fast-flowing water. That evening, we had a specially prepared dinner at Filip's new restaurant called Vis a Vis. It was salmon served with that special recurring treat, spargel -- another unforgettable dining experience.

One day of my stay in Munich was spent at a somber historic landmark nearby - the concentration camp at Dachau. Today, it is a museum of the inconceivable horrors that went on there. At the entrance is a wrought iron gate with the words, "Arbeit macht frei" - work makes you free - shaped in iron into it. Two of the barracks that housed the prisoners have been rebuilt. The others are only indicated by the row after row of the concrete foundations that remain. The gas showers and the crematorium remain chillingly as they were right beside each other. The main administration building, which also housed the kitchen and washroom, is the principal exhibit area. It is hard to walk through the displays of such barbarous inhumanity. I learned that the concentration camp was built in 1933 as a prison initially for the political opponents of the Nazis.

Then the gypsies were rounded up, followed by the homosexuals, then the religious leaders. It was after "kristallnacht," - the night of the anti-Jewish rampage in November 1938 - that the Jews began to be brought to Dachau. It was a sobering reminder that injustice against any isolated minority, no matter how distant and unrelated, becomes a menace to me. In the climate of terrorist anxiety today, we must be mindful that the threat to the civil liberties of Arab Americans also becomes an assault on me. It is, as well, a threat to the fundamental ideals of America. As I viewed the exhibit at Dachau, I understood profoundly why we Americans celebrate Asian Pacific American heritage in the month of May and observe the heritage of other groups throughout the year. We are all connected. Out of the dark lessons of history, I hope we can forge a brighter tomorrow.


May, 2003, LOS ANGELES - April is supposed to bring with it the renewal of life and the warming breath of springtime. But, as I looked out the plane window descending on Toronto's international airport, I saw the landscape blanketed in white. It was a beautiful snowscape but it didn't look like spring. It was going to be cold in Toronto. On the plane, there were a few people wearing surgical masks. Friends back in Los Angeles had cautioned me about SARS, severe acute respiratory syndrome, which seemed to be occurring in unusual numbers in Toronto. Instead of the spring renewal of life, the air in this Canadian city was cold and chilled with the fear of death.

I was flying into Toronto to begin work on an exciting new television film about which I will write more extensively in August - a sly tease to build up interest in a show that will air in September.

I was flying into Toronto because I had work, and I was forging on despite friends' concerns because I felt that the media had over amplified the fear of this mysterious disease, SARS. One should, of course, exercise reasonable caution, but I think too many people have a tendency to be stampeded by media reports without placing them in context. Many more people die every year from influenza than they have from SARS. Toronto is one of the cleanest, most fastidiously sanitation conscious metropolitan areas in all of North America. And the city had acted quickly to contain the few people who were sick.

Certainly, I think it might be prudent to avoid travel to China, where the disease seems to be spreading in worrying numbers. But irrational fear can be just as damaging as an epidemic. Chinese restaurants all over North America have been empty desolation zones because of this irrational fear. Without fear, I had my first dinner in Toronto at a Chinese restaurant. I love Chinese food but, more than my fondness of Moo Goo Gai Pan, that night, I was making a statement. "There is nothing to fear but fear itself," said President Franklin Roosevelt. But, alas, my Chinese restaurant was skimpily patronized. The food was great and the service was fantastic. I dined in regal semi-solitude. The next morning, when I opened up the local paper, there was a photo of the Prime Minister of Canada, Jean Cretien, dining with gusto on delicious Chinese cuisine. It's ironic that in these hysterical times, delightful dining can also be a show of courage and political leadership.

I had another wonderful dining experience in this month of holy religious observances. Jewish friends invited me to their Seder dinner.

They hosted a gathering of their friends that embraced the religious, ethnic, cultural, and generational diversity of the Los Angeles community. Before dinner, Passover rites were observed and then each guest was asked to read selected excerpts from the writings, thoughts, and observations of someone from history. The shining words of Thomas Jefferson were read as well as those of an anonymous slave. The wise words of Kofi Anan were read as well as those of a victim of the Armenian holocaust. The ringing words of Robert Kennedy were read as well as those of a migrant farm worker. The words of Franklin Roosevelt's Executive Order 9066, which sent Japanese Americans into World War II American internment camps, were read as well as those of an Arab American civil liberties advocate. At this very special Seder dinner, the food for the spirit was as nourishing and savory as the delicious food for the body.

April is also the month of my birth, and it was wonderful to have so many friends, and fans remember my birthday on April 20. Through this column, may I give each and every one who sent me their birthday wishes, my heartiest thank you hug. You all make it a joy to continue collecting more of the many, many birthdays that I have already collected. You make it a true blessing to "live long and prosper."


The Human Spirit

April, 2003, LOS ANGELES -- As Halle Berry glided center stage, the tension in the Kodak Theater became electric. The Oscar for Best Actor of the year was now going to be announced. The air was tense with the buzz for Jack Nicholson or Daniel Day Lewis. Both actors had turned in wonderful performances. But I had voted for neither. I voted for the underdog -- Adrian Brody. His was an extraordinary achievement. It is, of course, impossible to measure an actor's performance quantitatively. The success of his work lies in the singular impact that his performance has on his audience. For me, Adrian Brody as Wladyslaw Szpilman in "The Pianist" was the most profoundly moving motion picture experience this year. It was a compellingly soul felt performance. Underdog or not, my vote was for Adrian Brody.

"And the Oscar goes to..." Halle Berry's struggle opening the envelope was torturous. "Adrian Brody!" As a body, the theater gasped, then, broke out in astounded applause. Brody himself seemed momentarily stunned. Then, with a nervous brush of his fingers through his unruly hair, he climbed on stage. Halle Berry waited smiling with his Oscar. In spontaneous exuberance, he embraced the beautiful Ms. Berry bowling her over and planted on her the most celebratory kiss in the history of Academy Award moments. The audience howled in appreciative joy. As he expressed his gratitude to the Academy for the recognition, he at the same time reminded us that his work on "The Pianist" kept him ever mindful of the dehumanization of war. Even in celebration, he rooted his art in the reality of life. The U.S. had invaded Iraq just three days before. Adrian Brody marked this year's Academy Awards, not only with his singular act of joy, but with a graceful, meaningful acceptance speech as well.

As I write this on my laptop in New York City, we are now into the third week of war. The U.S. just took control of Baghdad International Airport and coalition troops are now only miles from the city limits of the capital. The days of the brutal rule of Saddam Hussein now seem numbered. But our coalition's body count and the number of those wounded also continue to climb. Despite the much-vaunted technical precision of our bombing, the pain of civilian casualties continues to mount as well. They are what are called the collateral damages. "Body count," "collateral damage" - those sterile, dehumanized euphemisms of war. Soldier or civilian, each is a human life ended by warfare. This was what Adrian Brody was talking about.

Determined not to see death turned into euphemisms, three days ago, I went down to Ground Zero in downtown Manhattan. I had made my first pilgrimage to the site of the World Trade Center devastation on a cold January day fifteen months ago. I wanted to go once again to pay my respects. The people who died there will never become euphemisms. They are now a part of American history. They will be remembered with a memorial on the site that will be both warmly human and spiritually evocative. A striking plan by the brilliant architect Daniel Libeskind has been selected. The excavated site of the former towers will remain open with a contemplative green sunken garden in its place. The great slurry wall holding back the waters of the Hudson River will remain exposed. Soaring up beside the memorial garden will be a magnificent building towering a symbolic 1776 ft. high into the sky. That is taller than the former World Trade Center structures - the new height symbolic of the beginning of our nation's independence. It is a soaring statement of the triumph of freedom over terrorism. The peak of the building will taper into a spire merging with the heavens.

In that apex of the structure will be a lush, living garden in the sky. There is to be life, both on earth at the foot of the tower as well as at its very pinnacle.

When I first visited the scene of devastation on that January morning, snowflakes were falling. Those white flakes reminded me of the ashes that came down that awful morning of September 11. This time, my visit was in early April. But again, it was cold and gray and a light snow started to fall. Again, it was a chilly reminder of that terrible day. However, the site was now dramatically changed. The debris of the wreckage had been completely cleared away and there was preliminary construction beginning at the far bottom of the excavation. We were moving forward. After intensely spirited competition, an architectural plan had been selected for rebuilding on the site. We were working to build the future. There is a vision to replace the past with something better, something even more dimensioned.

New York celebrates the human spirit, and, for me, the theater does it best with joy, passion and insight. In so many different ways, the plays I have been taking in are just that - a celebration of the human spirit. The British comedy, "The Play What I Wrote," did it with laughter. The award winning British drama, "Vincent in Brixton," did it with love. The big Broadway hit musical, "Hairspray" rejoices with both love and laughter. "Last Sunday in June," an off-Broadway original celebrated the bonds of friendship and community

The Pulitzer Prize nominated new drama, "Take Me Out" celebrates the diversity of life with the metaphor of baseball. The quintessential celebration of the human spirit, however, is the great musical, "Man of La Mancha," now revived on Broadway starring the glorious voice of Brian Stokes Mitchell.

As I sat in the theater enthralled by its stirring anthem, "To Dream the Impossible Dream," I sensed the entire house connect as one and soar with the shining words of the song. How can anyone's spirit not soar to these ideals? How can anyone's soul not glory in its humanity?

To dream the impossible dream
To fight the unbeatable foe
To bear with unbearable sorrow
To run where the brave dare not go!

And the world will be better for this,
That one man, scorned and covered with scars,
Still strove with his last ounce of courage
To reach the unreachable stars!