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A Month of Theater

May, 2000

May, 2000, NEW YORK - This has been a month of travel and tri-city theater going. I flew from home in Los Angeles to Washington, D.C., for my commission meetings, then on to Manhattan for the weekend. And wherever I am, theater is something I search out. It is my refreshment, my muse and my passion.

Before I left Los Angeles, I had taken in two wonderful productions, the Odyssey Theater Company's interpretation of Shakespeare's "Hamlet" in contemporary dress and an imaginative new play based on the myths of Ovid, "Metamorphosis," by Mary Zimmerman at the Mark Taper Forum. Even before I began my trip to the East, I was transported back and forth through time by both productions with their ever-compelling tales that still resonate with such contemporary relevance. To quote Mary Zimmerman, "Myths are public dreams, dreams are private myths."

Then on to Washington, D.C., for the meetings that consumed most of my time there. On the last night, I joined friends for dinner and theater. My friend Marc Okrand sits on the board of the Washington Shakespeare Company and the play we were to see that night was its interpretation -- in collaboration with the African Continuum Theater -- of Shakespeare's "As You Like It." And I liked it! It was delightful. It was very today. Have you ever heard iambic pentameter spoken to hip-hop rhythm? Can you see the forest of Arden in New York's Central Park? And can you imagine the frolickers in that park as Blacks, Whites, Asians and Latinos? I saw it, I heard it, and I was thoroughly enchanted by it. Old Will can be so now! Shakespeare was vibrantly multi-ethnic in his infinite variety.

The theatrical offerings of New York can be overwhelming in volume as well as in diversity. One has to be selective -- and lucky. Tickets for new Broadway shows can be enormously difficult to get. I was very lucky. I was able to secure great tickets to three dazzling new productions. The first night was Julie Taymor's stylish "The Green Bird." The next was a matinee of Elton John's and Tim Rice's rock version of "Aida." And the final evening was the highly praised import from London, the Royal National Theater's production of "Copenhagen."

Julie Taymor is the boldly inventive director who created the big Disney smash of a few seasons back, "Lion King." She has the gift of taking the conventions of ancient theater such as masks, marionettes and shadow puppets and magically transforming them into the language of today's theater as she did with the Disney hit. With "The Green Bird," she used the style of the old Italian, Comdia del Arte with its cast of stock characters in masks and comically exaggerated costumes to create an entertaining evening of Broadway theater. As much fun as the style was, however, the story was as rambling as a tale told by an over-enthused Italian raconteur.

The tragic love story of Aida, the Nubian princess, is one that lends itself to extravagant production excesses. Some opera productions have even had real elephants and camels parading on stage. Elton John's and Tim Rice's "Aida" is also richly produced but, unlike other Broadway musicals, there are no chandeliers crashing, helicopters landing or other show-stoppingly spectacular effects. The effects used are imaginative and organic to the plot and the characters. The satire on the obsession some women have with high fashion is dead on and the fashion effects are hilariously, fabulously spectacular. The effect of looking down on a huge oval pool with swimmers languorously moving about in the water is pure stage magic. And the music is not only beautiful but has deep resonances beyond the love story. The lovely song "Elaborate Lives" could be taken as a cautionary commentary on our present affluent society. The bookending of the play with contemporary scenes in the Egyptian gallery of some museum seem to underscore the story's relevance to our times. At the core is a deeply moving tragic love story sung and acted by three brilliant performers. Heather Headley as Aida, Adam Pascal as the hero, Radames, and Sherie Rene Scott as the Princess Amneris are all shining stars.

Perhaps the most impressive play was the London import from the National Theater, "Copenhagen." It is based on an actual event but moves beyond that to explore issues of morality, nationality, personal responsibility and the mysteries of the human psyche. The central event is a meeting between Niels Bohr, the brilliant Nobel Prize-winning physicist who helped develop the atomic bomb and his former student, Werner Heisenberg, also a Nobel Prize-winning physicist and a Nazi. That they met in 1941 in Copenhagen during the war is known fact. Why Heisenberg wanted to see his mentor and what they discussed is unknown. Michael Frayn, the playwright, moves us back and forth in time to speculate from different vantage points on the motives, the discussions and the reactions of the brilliant but conflicted scientists at that meeting. "Copenhagen" was theater at its finest.

American theater at the beginning of this century is vibrantly alive. It is inventive and pertinent. It has substance as well as style. It is finding new theater languages to interpreting classic theatrical forms. It is thoughtful and provocative. And it is fun.

What's next on my busy theater calendar? I'm looking forward to East West Players' production of Stephen Sondheim's "Follies" at the David Henry Hwang Theater in downtown Los Angeles. This musical, directed by Tim Dang, runs from May 17 to June 11. If you're in the L.A. area, why not catch the show?

Wisdom From A Volcano

February, 2001

February, 2001, LOS ANGELES - I continue to be captivated by the popularity and the longevity of the Star Trek phenomenon. It remains a pervasive factor in my life, whether professionally, personally or in my public service activities. And this gift has serendipitously expanded my horizon and enriched my life.

A direct professional tie-in can be viewed on February 18th when an episode of "V.I.P." starring Pamela Anderson is aired on the Fox network. I play the voice of an omniscient super computer that was programmed by a brilliant techno-genius who is a fervent Captain Sulu fan. Hence, my casting as the voice of the computer.

The Star Trek conventions, of course, keep on trekking. My first convention of this year was in the charming city of Portland, Oregon. It was a lively gathering on a cold, damp weekend. Long-time fans mingled with a growing number of young, first-time conventioneers. And, as well, the con gave me the chance to indulge my preservationist interest and again explore the imaginatively restored turn-of-the-century historic district of Portland.

I did voice work last week on a feature film project, cryptically titled, "Noon Blue Apple." I play a mysterious voice that haunts the mind of the lead character. No direct Star Trek connection here other than the fact that the director knew of my work from the original series.

But Star Trek has also afforded me the opportunity to contribute more effectively in a myriad of other areas not related to my professional career. This month, I was honored to serve as the star of a fund-raising dinner to help build a planetarium on the campus of Long Beach City College. With this facility, young students will be able to expand their study of the heavens and let their imaginations soar to the stars. Clearly, without the Star Trek association, I would not have been able to support this important cause as effectively as I was able.

On another occasion this month, I addressed a group of young interns at the Japanese American National Museum on volunteerism. Here again, I was able to connect with them more successfully as Captain Sulu of Star Trek than as the Chairman of the Board of the Museum.

We have a mayoral election coming up this spring in the city of Los Angeles, my hometown. I am supporting the former Speaker of the California Assembly, Antonio Villaraigosa. I know that I was asked to speak at his press conference largely because of the draw of my Star Trek linkage. As well, when I spoke at the Japanese seniors' intermediate care facility, Keiro Services, Star Trek combined with my association with the Japanese American National Museum, were the factors that attracted the large audience of seniors. I chatted with one lady who was 104 years old. She was born in 1896 - having lived in three centuries! In so many unexpected ways, my association with Star Trek creator Gene Roddenberry's visionary creation has opened doors that have expanded my life horizon.

But when any hint of self-importance might begin to creep into me and I start believing that my Star Trek association is free entrée to anything, a humbling reminder always seems to bring me back to reality.

This month, my niece, Akemi Takei, sportscaster for KING-TV in Seattle, got married to David Louchheim, a radio sportscaster, on a beautiful beach in Maui, Hawaii. It was a singularly romantic affair, the bride and groom barefoot, with waves crashing in on lava rock outcroppings behind them. The reception was held at a hilltop restaurant overlooking the Wailea Country Club and the turquoise blue Pacific beyond. As we sipped cocktails, nibbled hors d'oeuvres and waited for the sun to set, I slowly became aware of a generational divide. The parents of my niece and David's friends were thrilled to meet me. They were eager to have their pictures taken with me. They told me they were long-time Star Trek fans from back in their college days. The young people, however -- Akemi and David's friends -- were gracious and friendly but rather blasé. In fact, some weren't really that familiar with Star Trek. They, I realized, were the post-Star Trek generation. The passage of time brings with it the larger context of life.

I was forcefully reminded again of the larger context of life on a hike into the crater of the now-dormant volcano, Haleakala on Maui. The crater is vast. And it is heart-stoppingly beautiful. There is a narrow, lava gravel trail that leads down to the bottom. It was irresistible. I had to go down into it. As I tramped down the sere landscape, rich with the burnt colors of inert lava, I imagined what this scene must have been like millennia ago. It was, we were told by a ranger, an inferno of blasting, bubbling, molten red lava. For centuries it spewed up flaming magma from the belly of the earth forming the island of Maui. This place was a hellhole of exploding liquid fire. But now, it was dead calm. Only this scorched and arid crater of unearthly colors remains.

As I huffed and puffed my way back up to the volcano's rim - 10,000-feet above sea level -- I thought of the ardent excitement of the middle-aged Star Trek fans of the evening before, and, in contrast, the nonchalant affability of their children. Intense fire and cool, youthful calm. There didn't seem to be that much difference between the human generations and geologic time.

September 11, 2001 The magnitude of the atrocities that we watched in sheer horror on our television sets on the morning of September 11, 2001, is still growing in the grotesque count of casualties. The human tragedies are unimaginable. The pain in our hearts is unbearable.

Out of the wreckage, though, emerged uncommon courage and humanity. Firefighters, police officers, and volunteers worked under harrowing conditions to try to save the victims of the devastation. Their valor, their extraordinary sacrifices stirred our spirits. The casualties among these brave heroes compound the horror and grief.

Our revulsion, heartache, and sheer shock at the enormity of the tragedy must now turn to resolve. Those cowardly fanatics who planned, aided, and executed these acts of terror must be brought to justice. Theirs was an assault, not only on the United States and all that we stand for, but against the very values of civilized society throughout this world.

The focus of the terrorists was on the fundamental ideals of the United States. The free enterprise that was symbolized by the World Trade Center, the might of the U.S. that was symbolized by the Pentagon and the freedom and democracy that was symbolized by the Statue of Liberty clearly visible in New York harbor, were threats to those deranged but cunning fanatics. They do not know how potent a force a roused and united America can be. In a crisis, we will act -- and act with commanding vigor.

That power will be exercised with our American values intact. Attorney General John Ashcroft forcefully stated that the target is the terrorist criminals and their associates -- not Muslims, not Arabs, not Middle Easterners. Congress passed a resolution on Friday night to protect the rights of Muslims, Arab Americans and South Asian Americans. Unlike the racial hysteria that followed the Pearl Harbor bombing by Japan, when Americans of Japanese ancestry were incarcerated in American concentration camps solely because of their ethnicity, the Attorney General was very clear that race, religion and background will not be the focus of this campaign. It will be the evidence of criminality. The lesson of history has been instructive this time around.

Deplorably, we still have dangerously ignorant hysterics among us in America. There have been shots fired into mosques, Arab American businesses painted with the word "Die!" and reports of a Sikh person shot and killed in Arizona. These domestic fanatics are no better than the terrorists. Their acts shame America and besmirch the glory of our Stars and Stripes. They, too, must be tried and punished -- unlike the victims of their ignorant racism.

Last night, I went to a concert at the Hollywood Bowl as I had planned some time ago. I refuse to let terrorism affect me. I will not let them win by forcing me to change my plans. The concert was glorious. At the end of the evening, the soloists, Marni Nixon, Nell Carter and Lauren Frost took their bows, then led us in singing "America the Beautiful." Fifteen thousand rose up in full voice. The hills of Hollywood resounded strong, united, and magnificent. Neither terrorism nor ignorance will stand in this America today.

August, 2010 Brad and I are overjoyed by Judge Walker's ruling declaring Proposition 8 unconstitutional. This is a victory not only for the LGBT community, but for equality, our Constitution and the ideals of America. Those continuing to support the appeal of the ruling should mind their own marriage. Brad and I celebrated by popping a bottle of Champagne on Wednesday night.

October, 2007

George Takei Statement on Casting of John Cho as Sulu in New Star Trek Film:

"Sulu's in good hands. John Cho is an exciting actor. I've seen Cho in many productions at East West Players and he always brings a vigorous sense of individuality to his roles. Under the leadership of JJ Abrams, the Star Trek franchise is being infused with new energy and I hope John Cho plays a critical part for many years - and films -- to come."

HOLLYWOOD REPORTER: Cho and Pegg Board 'Star Trek' Feature

EAST WEST PLAYERS